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Are IMAX movies worth it?
Movie goers swear by the audio-visual quality that IMAX provides. The movie watching experience is enhanced. As a result the ticket prices for IMAX shows are much higher than the regular movies. Even though IMAX theatres were introduced in 1971, they gained popularity much later in the 2000s.
You can email the site owner to let them know you were blocked. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page.Multiplexes (multicines) are very popular in Spain and they can be found in or close to most cities, displacing the traditional single-screen theaters. Many middle-sized and large cities have several of them, and they are also common in malls. The average number of screens per theater was 5.2 in 2016.Kinepolis Brussels, the first cinema to carry the Kinepolis brand, was the biggest and a pioneer in the megaplex industry when it opened in 1988. It introduced various innovations in visual, audio and conceptual aspects of cinema, such as hosting guests and special events. It now has 28 screens and 6270 seats.
On 17 September 1998, the world’s largest cinema multiplex, Kinepolis Madrid, opened in Spain, with 25 screens and 9,200 seats, each seating between 211 and 996 people.
Canada’s largest movie theaters over the years have been located in Toronto. As mentioned above the 18- (later 21-) screen Cineplex was the movie theater with the most screens in the world until the late 1980s, but remained the largest movie theater in Canada until it was closed at the turn of the 21st century. In 1998, AMC expanded to Canada, building large movie theatres with as many as 24 screens before opening a 30-plex there in 1999, which is the AMC Interchange 30. Then in 2008, the 24-screen AMC Yonge Dundas 24, adjacent to the Eaton Centre, was completed. Cineplex Entertainment purchased the theater in 2012, along with several other Canadian AMC megaplexes, bringing the company full circle. After that, some more were closed or sold to Empire Theatres. AMC exited Canada by closing the AMC Interchange 30 in 2014.
In 1982, the 14-screen Cineplex in the Beverly Center Mall in West Hollywood, California, became the country’s largest upon opening. The Beverly Center Cinemas closed in June 2010.
In 1963 AMC Theatres opened the two-screen Parkway Twin at the Ward Parkway Shopping Center in Kansas City, a concept which company president Stanley Durwood later claimed to have come up with in 1962, realizing he could double the revenue of a single theater “by adding a second screen and still operate with the same size staff”. Also, the shopping center structure where the Parkway was located could not support a large theater, so two small theaters were built to avoid that issue, and at first both theaters played the same film.Opening in April 1979, the 18-screen Cineplex, co-founded by Nat Taylor in Toronto’s Eaton Centre, became the world’s largest multitheatre complex under one roof. It was expanded to 21 screens by at least 1981.In December 1947 Nat Taylor, the operator of the Elgin Theatre in Ottawa, Canada, opened a smaller second theater (“Little Elgin”) next door to his first theater. It was not until 1957, however, that Taylor decided to run different movies in each theater, when he became annoyed at having to replace films that were still making money with new releases. Taylor opened dual-screen theaters in 1962 in Place Ville Marie in Montreal, Quebec, and at Yorkdale Plaza in Toronto, Ontario, in 1964.
Where is the nicest movie theater in the world?
10 of the world’s most enjoyable movie theatersRajmandir Theatre, Jaipur, India. … Kino International, Berlin, Germany. … 4DX, Seoul, South Korea. … Uplink X, Tokyo, Japan. … Hot Tub Cinema, worldwide. … Cine de Chef, Seoul, South Korea. … Secret Cinema, Worldwide. … The Castro Theatre, San Francisco, United States.
Europes’s tallest cinema multiplex is the Cineworld Glasgow Renfrew Street in Glasgow, Scotland, United Kingdom at 203 feet. Opened in 2001, it has 18 screens and seats 4,300 people.
The question of who was the inventor of the multiplex is “one of the longest-running debates in movie theater history.” In a 2004 book, Ross Melnick and Andreas Fuchs identified five leading candidates: James Edwards, Sumner Redstone, Stanley Durwood, Charles Porter, and Nat Taylor.
In 1937 James Edwards twinned his Alhambra Theater in the Los Angeles area by converting an adjacent storefront into a second “annex” screen. While both screens would show the same feature movie, one would also offer a double bill. It did not convert to showing different movies on both screens until some time after Nat Taylor (see below). On February 25, 1940, the Patricia Theater in Aiken, South Carolina made news by becoming what is believed to be the first two-screen theater in the United States showing different movies when operator H. Bert Ram added a screen to an adjoining building and shared a common box office. The main screen remained the Patricia Theatre and the Patricia Annex became known as the Little Patricia.On December 13, 1996, AMC Ontario Mills 30, a 30-screen theater, opened in Ontario, California, and became the theater with the most screens in the world. This was eventually tied by other AMC 30-screen theaters.
The largest megaplex in the Southern Hemisphere is the 26-screen Marion MEGAPLEX in Adelaide, South Australia. The megaplex was originally a 30-screen megaplex branded as Greater Union but was modified to accommodate Gold Class and V-Max screens and was re-branded as Event Cinemas. The auditoriums sit on top of Westfield Marion, which is the largest shopping complex in Adelaide.
In 1965 Martin’s Westgate Cinemas became one of the first indoor two-screen theaters in Atlanta, Georgia. Located in East Point, Georgia, it was later converted into a three-screen venue after a fire partially destroyed one of the theaters. The Disney family film Those Calloways had its world premiere at the Westgate, the only film to have been so honored at that theater.
The Kinepolis-Madrid Ciudad de la Imagen megaplex has been the largest movie theater in the world since 1998, with 25 screens and a seating capacity of 9,200 including a 996-seat auditorium. Kinepolis-Valencia, built in 2001, boasts 24 screens and 8,000 seats.In November 1988, Kinepolis Brussels, was opened by Kinepolis, the European chain, with 25 screens and 7,600 seats, and is often credited as being the first “megaplex”.
Where is the best movie seats?
While the back may be the safest option comfort-wise, experts say that the middle row has the best seating. According to Groupon, an ideal row in the movie theater is “the center row and the four rows behind it, which is about one-half to two-thirds back.”
France’s largest movie theaters are: 27-screen UGC Ciné Cité Les Halles (3,913 seats) in Paris, 23-screen Kinépolis – Château du Cinéma in Lomme (7,286 seats), 22-screen UGC Ciné Cité Strasbourg (5,275 seats) and 20-screen MK2 Bibliothèque in Paris (3,500 seats).
Multiplexes and megaplexes supposedly have two major advantages over traditional single-screen movie theaters: they can share common infrastructure and staff across multiple auditoriums, and variations in auditorium size enable them to better match capacity to demand. However, movie theater operators eventually discovered the problem with stadium-size movie theaters is that they share the same flawed business model as stadiums: high fixed operating costs, combined with the fact that very few films in any given year can actually fill all those seats (average occupancy is around 10-15%). Nearly all major U.S. movie theater companies ultimately went bankrupt as a result of this hasty development process. Among the few that were able to avoid bankruptcy were AMC Theatres and Cinemark Theatres.
In December 1988, Studio 28 in Grand Rapids, Michigan, expanded from 12 to 20 screens with a seating capacity of 6,000. Studio 28 closed in November 2008.As noted above, the world’s first multiplex, the Regal Twins, opened in Manchester in 1930. The first triplex in the UK was the ABC Cinema in Lothian Road, Edinburgh which opened 29 November 1969. The Regal Twins were converted in 1972 to a five screen complex (Studios 1 to 5) by Star Group, as the first five-cinema complex in Britain.
Does Iowa have a movie theater?
The big screen is back at Marcus Sycamore Cinema! We look forward to welcoming you for a spectacular movie experience!
The difference between a multiplex and a megaplex is related to the number of screens, but the dividing line is not well-defined. Some say that 16 screens and stadium seating make a megaplex, while others say that at least 24 screens are required. Megaplex theaters may have stadium seating or normal seating, and may have other amenities often not found at smaller movie theaters; multiplex theatres often feature regular seating.CGV Cinemas San Francisco 14, is a 14-auditorium movie theater multiplex in a former eight-story Cadillac dealership building on Van Ness Avenue at O’Farrell Street. It opened on 10 July 1998, as the AMC 1000 Van Ness with 3,146 seats listed.
Also in late 1947, but in Havana, Cuba, the Duplex movie theater was built to share the vestibule and ancillary facilities with the previously existing Rex Cinema (open since 1938); they were both designed by the same architect, Luis Bonich. The programming was coordinated, so that one of them showed documentary and news reels. while the other was showing feature films. They were in use at least until the 1990s.
The first multiplex in Japan was built by Warner Bros. in 1993 but the multiplexes were outside Japan’s nine largest cities until Shochiku built Cinema World to the west of Tokyo in 1995. By 2000, multiplexes accounted for 44% of the market with the number of screens in Japan increasing rapidly from less than 2,000 in 1998 to nearly 3,000 in 2001. The expansion in screens and multiplexes also reduced the reliance on the grosses from the nine key cities, with over half of a film’s Japanese gross now coming from outside those markets.Cineplex joined with Universal Studios to build an 18-screen multiplex in Universal City, California (now part of Universal CityWalk Hollywood), which opened July 4, 1987.
The boom in new screens in the U.S. in the late 1990s and early 2000s led to multiple changes to Hollywood’s distribution model. During the 1990s, American film studios experimented with distributing quirky indie films and art films to megaplexes which would have had a much harder time finding a broad theatrical audience in earlier eras, such as the 1999 hit Being John Malkovich. However, after the turn of the 21st century, as multiplex and megaplex owners came to realize they could screen large-budget blockbuster films all day by staggering showtimes across multiple screens, movie studios jumped onto the blockbuster bandwagon and shifted their film slates towards blockbuster films based on existing media franchises.
In 1965, the first triplex was opened in Burnaby, Canada by Taylor Twentieth Century Theaters. AMC followed up on the Parkway Twin with a four-screen theater in Kansas City, the Metro Plaza, in 1966 and a six-screen theater in 1969. Durwood’s insight was that one box office and one concession stand could easily serve two (or more) attached auditoriums. Another AMC innovation was to offset the starting times of films, so that staff members who previously had downtime while films were playing at a single-auditorium theater would now be kept continuously busy servicing other auditoriums. Over the next two decades, AMC Theatres under Durwood’s leadership continued to innovate as it built one multiplex after another with more screens and more spacious auditoriums across the United States. According to Melnick and Fuchs, although Durwood was technically not the first person to build a multi-auditorium movie theater, he was “the man perhaps most responsible for driving the industry into ‘splitsville'”.By 1994, building of multiplexes with 14-24 screens with 2,500 to 3,500 seats was the norm. The expansion of multiplexes also concentrated the market with the top ten exhibitors controlling 47% of the nation’s screens compared to 27% in 1986. The AMC Grand 24 opened in Dallas, Texas, on May 19, 1995, as the first 24-screen megaplex built from the ground up in the United States and the largest theater complex in the U.S. A 21-screen Edwards Theater opened at the Irvine Spectrum Center in Irvine, California, the same year. After a lease renewal dispute with the property owner, the AMC Grand 24 closed in November 2010. The building has been divided and reopened in 2012 as a Toby Keith–owned nightclub and a 14-screen first-run movie theater operated by Southern Theatres as the “AmStar 14”. This theatre is now the Studio Movie Grill Northwest Highway as of 2013.
What is the largest cinema chain in Europe?
Odeon Cinemas Group Odeon Cinemas Group is Europe’s largest cinema operator. Through subsidiaries it has over 360 cinemas, with 2900 screens in 14 countries in Europe, 120 cinemas with 960 screens are in the UK.
A multiplex is a movie theater complex with multiple screens within a single complex. They are usually housed in a specially designed building. Sometimes, an existing venue undergoes a renovation where the existing auditoriums are split into smaller ones, or more auditoriums are added in an extension or expansion of the building. The largest of these complexes can sit thousands of people and are sometimes referred to as a megaplex.In the Netherlands there weren’t many multiplexes until the millennial change. In April 2000 Pathé ArenA opened its doors in the ArenAPoort area in Amsterdam. It is the largest multiplex in the Netherlands and features 14 screens and 3250 seats in total. Nowadays a lot of other multiplexes are being set up, but so far none of them have surpassed Pathé ArenA’s capacity.
In India, the mushrooming of multiplexes started since the mid-1990s. Cinema chains such as Kantishiva Multiplex, INOX, PVR, Carnival Cinemas, SPI Cinemas,Asian Cinemas, Cinepolis and Big Cinemas operate multiplexes across the country. The largest multiplex in India is the 16-screen multiplex Mayajaal in Chennai.
Greece’ s largest multiplex is Village Rentis, that features 18 mainstream screens, two comfort (special type of a mainstream screen, better seating and less auditorium), three RealD 3D screens and one summer screen. In total it features 21 screens.
In the United States, only 10% of the 16,712 indoor movie theaters in 1981 had more than one screen, with 80% of the 10% only having two screens. The largest had 7 screens.In about 1915 two adjacent theatres in Moncton, New Brunswick, under the same ownership were converted to share a single entrance on Main Street. After patrons entered the door, there were separate ticket booths for each theatre, and different programs were shown. The arrangement was so unusual that it was featured by Robert Ripley in his Believe It or Not! comic strip. Before multiplexes, some cinemas did show different films at the same time in one auditorium, such as in Cairo, Egypt, reported in 1926. In 1915, exhibitor Charles Porter opened the Duplex Theatre in Detroit, Michigan, the first known instance of a dual-auditorium movie theater. It had twin 750-seat auditoriums in a single building, sharing a common box office and entrance. The Duplex Theatre’s history is poorly documented and it is unknown why Porter built his theater that way, though it was apparently a bit too advanced for its time. It closed in 1922. During the 1980s and 1990s, AMC Theatres was at the forefront of a massive boom in multiplex and megaplex construction across the United States. From 1988 to 2000, the number of screens in the United States exploded from roughly 23,000 to 37,000. By the end of 1997, the United States was home to 149 megaplexes with over 2,800 screens. The newer venues, especially the megaplexes, often wiped out smaller theaters and led to market consolidation. Aging single-screen movie palaces in congested downtown areas simply could not compete against the new suburban megaplexes with their profusion of convenient choices (in terms of films and showtimes), gigantic screens, stadium seating (a Durwood idea), armrest cup holders (another Durwood idea), video arcades, spacious parking lots, and state-of-the-art projection and surround sound technology. In some areas, “megaplexes became not just another option for moviegoers, but soon the only one, having driven all other theaters out of business”. From 1995 to 2004, the total number of theaters in the United States fell from 7,151 to 5,629.The Kinepolis-Madrid Ciudad de la Imagen megaplex in Spain is the largest movie theater in the world, with 25 screens and a seating capacity of 9,200, including one 996-seat auditorium. In 1985, AMC Cinemas opened a ten-screen cinema at The Point in Milton Keynes. This was AMC’s first multiplex outside of the United States and saw a turnaround in the decline of the UK cinema industry. Cannon followed it with an eight-screen cinema in Salford Quays in 1986. The success of the cinema at Milton Keynes led to further expansion by AMC in the UK to the MetroCentre in Gateshead and then to Dudley, Telford, Warrington and by royal appointment to London, before it eventually sold its UK division to a joint venture which it had formed with United Artists and Cinema International Corporation, which later became UCI Cinemas in 1989. By the end of 1992, the 5 major exhibitors (UCI, MGM, Warner, National Amusements and Odeon Cinemas) had built 525 multiplex screens in the last eight years in the UK, with cinema admissions increasing from an all-time low of 54 million in 1984 to over 100 million. The increase in multiplexes led to 77% of the UK’s screens being owned by the 5 major exhibitors. The increase in multiplexes around the country also reduced the importance of London from a revenue standpoint. Non-multiplex cinemas are now rare in the UK. In July 2000, Star City, Birmingham opened with a 30-screen Warner Village Cinemas (now a 25-screen Vue Cinemas with 5,079 seats), at the time the largest cinema in Europe. AMC Theatres has since built many megaplexes with up to 30 screens, starting with the AMC Ontario Mills 30, which was billed by AMC as the largest theater in the world when it opened on December 13, 1996. Three months after the AMC opened in Ontario, California, Edwards built their biggest theater across the street, the 22-screen Ontario Palace 22. If the two adjacent parking lots were counted as one, this meant Ontario had 52 screens on one parking lot, more than anywhere else in the United States. The construction of these two adjacent megaplexes in the Inland Empire was the culmination of a “bitter lifelong rivalry” between Durwood (who died in 1999) and Edwards (who died in 1997). Edwards was furious when he learned that Durwood had beat him to a deal with Ontario Mills, and later told Durwood, “I had to teach you a lesson”.
Without doubt the grandest cinema in Sydney, Cremorne’s Art Deco picture palace is a stunning step back in time. Built in 1935 by George Kenworthy, the top theatrical architect of the period, today’s version is even glitzier than the original, thanks to a $2.5-million restoration some years back. Each of the six auditoriums has its own colour scheme and decor, but the huge, 744-seat Orpheum is the true star of the show. The programme offers a mix of mainstream US, British and Australian fare, with some art house, special presentations and the occasional cabaret show. Best of all there are monthly screenings of The Room – BYO spoon. Nick DentVisiting the UK’s most northerly cinema – on the same latitude as Helsinki – feels like an adventure in itself. Seals, otters, even the odd killer whale have been spotted through its quayside windows. Mareel is the Shetland word for phosphorescence, and you can sometimes spot it flickering on the sea outside too. But even they’re not enough to pull focus from the swish two-screen cinema and arts centre inside. This movie outpost in the small Shetland town of Lerwick somehow combines the buzz of cultural vibrancy with a haunting sensation of being right at the end of the world. What better place to discover a new film – or just watch Local Hero again? Phil de Semlyen
Put it on the poster: When it first opened in 1951, the NFT occupied the purpose-built Telecinema a few hundred yards away. The first British cinema to show 3D films, it was later demolished (the two things are not connected).
Consider this backlot-quality facsimile of an Egyptian temple the forerunner to the more famous Chinese Theatre down the street – after all, it shares the same architect. But the Egyptian boasts something that other theatres don’t: American Cinematheque, the not-for-profit organisation that revived the venue in the ‘90s and have kept it programmed with double bills and conversations with Oscar-winning auteurs ever since. Aside from a beautiful scarab beetle sunburst organ on the ceiling, the auditorium has seen a mixed bag of changes over the years: The hulking plaster pillars that flanked the stage ages ago gave way to more contemporary cladding, but a proposed rehab from Netflix – which now owns the space – should see the desert block walls peek through again. Michael JulianoPut it on the poster: Metrograph’s small shop (really a few shelves to the left of the box office) sells a hyper-curated selection of film books and journals and some of the coolest-looking candy around. Don’t ask for cheesy nachos.Put it on the poster: The building also houses a superclub, the Rex Club, in its basement – a springboard for France’s biggest DJs like Laurent Garnier and David Guetta. Come for the art house, stay for the acid house.
Put it on the poster: Not only is the Plaza Theatre the oldest continually operating movie theater in Atlanta, it’s also situated in the city’s first strip mall.
What is the most luxurious theater?
6 of the most luxurious cinemas across the worldThe Cinema at Selfridges, London.Embassy Diplomat Screens, Bangkok.Soho House Mumbai.Aurum Theatre, Malaysia.CJ CGV Yeonnam, South Korea.
Not technically a museum, though definitely historic, the Lichtspiele is Munich’s second oldest cinema. It’s become a cult hangout for the city’s hipsters and discerning cinephiles, with a rep for its screenings of The Rocky Horror Picture Show. So much so, that the second screen is known as ‘the Rocky Horror Cinema’. It’s like stepping inside Dr Frank-N-Furter’s brain: knock-off Mona Lisas hang from the wall, alongside Greek sculptures and the plush crimson seats. Next door is The Big Blue room, named after Luc Besson’s diving epic, and a third screen has the Starship Enterprise emblazoned on the wall. When you love pop culture as much as they do at Museum Lichtspiele, you can call yourself whatever you like. Phil de SemlyenPut it on the poster: Rather than Phil Collins’s ’80s power-pop three piece, Genesis’s name is inspired by the apocalyptic McGuffin in Star Trek II: The Wrath of Khan. The owner is a massive trekkie.
Like Strasbourg itself, L’Odyssée has changed hands a lot over the years. It started off German, built in 1913 in the neoclassical style and christened the Union Theater after a cinema of the same name on Berlin’s Alexanderplatz. Then France took back the capital of Alsace after the Great War, and so it was Frenchified. But not for long: during the Second World War, the Nazis briefly requisitioned it as a Soldaten Kino for invading troops. Today, it remains one of the world’s longest-functioning cinemas, and you can see why it’s been so coveted over the years: gold mouldings, plush red seating and an ornate balcony make every screening here feel like an occasion. Huw Oliver Known for the opinionated messages that regularly grace its marquee (owner Allen Michaan is very vocal about politics), the Grand Lake Theatre is a remnant of a more luxurious age of moviegoing that’s been remarkably preserved. Depending on what movie you’re seeing, you’ll be seated in the expansive main auditorium (home of the Mighty Wurlitzer Organ, played before select screenings), a desert-themed Egyptian auditorium or the tiled Moorish-style theater. As beautiful as the decor is, the prices are what get folks through the doors: matinees are less than $7 and all tickets are $5 on Tuesdays. Zach Long Put it on the poster: For a short period of time in the early ’80s, the Ritz was repurposed as a punk rock club, hosting acts like Black Flag, the Misfits and Minor Threat. Put it on the poster: It’s customary to head to neighbouring dive Le Reflet for a post-film drink. Quentin Tarantino and Jim Jarmusch have both been known to prop up the bar when they’re in town. This very hip two-screen cinema opened on the Lower East Side in 2016 and quickly became a leading light of the city’s movie scene. It’s a welcome throwback: old-school flipback wooden seats, no-nonsense concrete walls, a cool bar and restaurant and programming that oozes passion for, and knowledge of, good films old and new. Its founder is also a fashion designer, which shows in the shirt-and-tie uniform worn by the staff who all look like fashion/design/film students. Yes, it’s all very hipster – but at its heart is an old-fashioned love for brilliant movies, with little obvious concern for commercial pressures. A rare gem. Dave CalhounIf you’re mooching around the Latin Quarter and have a few hours to kill, you’ll want to drop by Paris’s quintessential art et essai cinema, Le Champo. On the corner of the Rue des Écoles and the Rue Champollion, this charming picture house was made famous by French New Wave directors François Truffaut and Claude Chabrol, who were regulars here in the ’60s and ’70s. (Chabrol called it his ‘second university’.) These days it’s the place for cinephiles hankering after a black-and-white classic and tourists looking for a dose of Parisian romanticism. Look out for the illuminated Jacques Tati silhouette in the foyer. Houssine Bouchama
Put it on the poster: The Orpheum has a genuine Wurlitzer organ, which rises out of a stage pit on weekend evenings complete with flashing lights and a grinning organist.
A plaque to this palatial cinema’s founder, Abram Icek Tuschinski, adorns its ornate lobby wall. A Jewish émigré from Poland, Tuschinski never got to grow old with his dream picture palace – the Nazis saw to that – but its elegant mash-up of art deco and art nouveau styles with sleek modernist touches brings his dream to life daily for movie-mad Amsterdammers. These days it’s owned by Pathé and was recently refurbished with original touches, like the Wurlitzer-Strunk organ, left untouched and the historic wall paintings restored to their original specs. There’s a stylish new bar – Bar Abraham – paying tribute to its founder and serving up movie-inspired cocktails to thirsty filmgoers. Our advice? Make a pilgrimage to this opulent, historic shrine to the movies. Phil de Semlyen
This is where Amélie goes to the movies – ’nuff said. Perched high up in Montmartre, Studio 28 has been a meeting-place of French intellectuals since the year in its name, when it opened with Abel Gance’s silent masterpiece Napoléon. Charlie Chaplin and Frank Capra were both regulars when they were in town, not to mention Luis Buñuel, Salvador Dalí and Jean Cocteau, whose chandeliers still hang in the hallway. The Studio was conceived as a meeting place between cinema and other art forms like photography, painting and jazz, and the venue still hosts regular talks and exhibitions. A Breton cider in its small shaded garden is the ideal way to escape the tourist throngs outside – it’s no surprise Amélie found a refuge here too. Huw Oliver
Nestled beneath Table Mountain is this quirky gem. South Africa’s oldest indie cinema, it prides itself on marrying modern tech with an olde-worlde charm a world away from the gleaming modern multiplex. Cinemagoers purchase their tickets from an ornate ticketing booth (or online – it’s not that olde-worlde) and the faded grandeur of this old Italian Embassy ballroom lingers on in its three opulent-feeling screens. In recent years the likes of John Cleese, Werner Herzog, Matt Damon and Salma Hayek have popped by for a movie and a mooch on its garden terrace. There’s no record of whether they got stuck into the bar’s potent slush-puppy cocktails, though. Phil de Semlyen
How to support it: The Raj Mandir’s online and social presence is minimal. The best thing you can do is store this place in the memory and make sure you visit if you ever find yourself in India.
How to support the Castro: It isn’t hosting any fundraisers, but the LGBTQ+-focused Frameline Film Festival (which usually takes place here) is accepting donations.
How to support The Projector: Membership offers perks like free tickets, discounts, and members-only screenings. A new streaming platform, The Projector Plus, was recently launched too.Opened in 1914, the Colisée is one of France’s most beautiful art et essai – art house – cinemas. The small, traditional southern city of Carcassonne may be an unusual home for it, but that only adds to the thrill of catching a rare auteur film here. The facade by architect Florentin Belin makes for a picturesque entrance, and inside you’ll find some equally striking palatial décor. The centrepiece is the stained-glass skylight that twinkles above the main screen. After years of financial trouble, it was bought by the city early last year, renovated fully during lockdown, and it reopened to the public in September. Huw Oliver
The beating heart of British cinema has been perched on the Thames beneath Waterloo Bridge since 1957. Back then it was known as the National Film Theatre; since 2007, it’s been BFI Southbank (diehards still use ‘NFT’). Beneath its glass and concrete shell, the old building echoes with a sense of film history that’s augmented every October when the BFI London Film Festival rolls in. The renovated riverside bar spills out onto this culturally rich corner of South Bank – the National Theatre is next door and the Hayward Gallery round the corner – while inside is a shop, library and archive. The biggest and comfiest of its four screens, NFT 1, is the place to catch an Agnès Varda season or settle in for a David Lean epic. Phil de Semlyen
This buzzy film centre is the place to go to rub shoulders with Mexico City’s film lovers and culture vultures. Its modernist design resembles something out of Metropolis. Inside, it’s a small metropolis of its own, with bars, cafés and restaurants, cinema screens, a gallery, a posh ice cream parlour, and a vast archive of Mexico’s cinematic treasures. Tragically, a fire ripped through parts of the building in 1982. Since then, its ten screens have been restored and new gallery spaces opened (the Stanley Kubrick Exhibition stopped off here in 2017) and the venue’s annual film festivals. There’s even a panoramic outdoor screen in the gardens outside with free screenings for picnicking locals. Phil de Semlyen A fixture on Austin’s popular 6th Street drag, the bright red sign at the Ritz has beckoned audiences to see movies, local theatre, comedy and live music down the years. When the Alamo Drafthouse took over the building in 2007, it smartened up two screens with cushy new seats, state-of-the art-projection equipment and handy tables (where servers will deliver snacks like fried pickles and buffalo cauliflower). And like all 41 Alamo Drafthouses in the US, strict rules against talking, texting and late arrivals ensure that everyone in attendance at the Ritz can focus on the movie at hand. Sshhh! Zach Long A beloved fleapit that closed in 2004, seemingly forever, the Stella sprung back into life in 2017 with a Gatsby-esque tszuj that restored it to its old 1920s grandeur. Mosaic tiling, art deco railings, hand painted ceiling, chandelier and the dress-to-impress The Stella Cocktail Club (a Star Wars t-shirt will do at a push) pushes the Scott Fitzgerald vibe into the realms of French martinis and bourbon cocktails. Oh, and the screen itself isn’t shabby either, with red armchairs, huge sofas and double beds to pick from. The Stellar used to Ireland’s largest cinema, now it’s just the swishest. Phil de Semlyen
Bath in the west country of England is known for many things: the Roman baths (obvs), the Georgian architecture, and providing an elegant backdrop to all those sultry glances in Bridgerton. This implausibly chic venue has also been on the list of reasons to visit since it opened in 2018. It’s one of those no-expense-spared boutique cinemas that’s been reinventing moviegoing in the UK for anyone with deep enough pockets, with four 50-seat screens kitted in out in the latest tech and seats they’ll have to prise you out of when the credits roll. But while it’s not cheap, it definitely has major special occasion vibes: try the film star martini and a few small plates (or a wild boar hotdog, if you want to go all Babette’s Feast) before sinking into one of the extra-wide sofas. Phil de Semlyen
Put it on the poster: Catherine Deneuve helped design the upstairs bar. Its leather sofas, parquet flooring and vintage lamps will make you feel like you’re in a super-chic Parisian flat. Glass of rouge, surely?Dating back to 1936, The Astor is the oldest single-screen theatre in Melbourne, and its past is as dramatic as its popular double-bills. The Art Deco gem has been under threat of development for decades, but won its most recent reprieve in 2015, when indie chain Palace Cinemas took over the site. The giant auditorium seats about 1,600 people over two levels, and it’s regularly packed out for classics like 2001: A Space Odyssey and Star Wars or Harry Potter marathons. The new owners haven’t changed much, and the lush red velvet curtains, geometric carpet, piano, ’30s movie posters and euphemistically named ‘cloak rooms’ remain. There are fewer double bills these days but it remains still a fixture in Melbourne’s movie scene and regularly fills its notoriously uncomfortable but heritage seats. Cass Knowlton
Put it on the poster: The exterior is painted bright pink in honour of Jaipur’s reputation as the ‘pink city’ (many buildings were painted that colour in 1876 to welcome Prince Albert, Queen Victoria’s husband, to the city).Put it on the poster: Lichtspiele’s Rocky Horror screenings have been running weekly since 1977, scoring the cinema a spot on The Guinness Book of Records.How to support The Sun: Tune into Sun Sessions, the cinema’s own podcast! The hosts chat to directors, talk about upcoming releases, and more recently, talk about cinemas coming out of lockdown. You can also become a member for $15.Put it on the poster: The bar serves a ‘Pulp Fiction Milkshake’ (ingredients: Nolet’s silver gin, crème de cacao, cherry syrup, m*therfucking almond milk).
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How to support Kino International: It’s now part of a small group of Berlin cinemas, Yorck Kinos. Find out more about tickets and offers at its website.Opened at the dawn of cinema’s talkie era, this slice of New Zealand history now hosts gigs, plays and ballet too. But it was always conceived as an old-fashioned picture palace, with its entrepreneurial founder Thomas O’Brien going big on budget (£200,000), scale (2379 seats) and Eastern design flourishes (look out for the Buddhas in the lobby) to make it the standout movie venue in the southern hemisphere. The Great Depression sent a bankrupted O’Brien packing, but The Civic has stood the test of time: a very literal temple to moviegoing in Auckland whose thousand illuminated stars on its auditorium ceiling feel well earned. Phil de Semlyen
The Golden Age is the much-loved basement occupant inside the stunning Paramount building in Sydney’s Surry Hills. The building was constructed in 1940 as the offices of Paramount Pictures, with a basement theatrette used to preview movies to cinema owners. In its time, it was visited by such Hollywood stars as Bob Hope and Charlton Heston. In 2013, the old screening room was converted into a 60-seat cinema with a seriously chic adjoining bar; cinema seats from the 1940s were located in Switzerland and installed in the space. Both classic films and more obscure new releases are shown here, and high-quality cinema snacks are offered in the bar – expect the best sundaes ever. Nick Dent
Put it on the poster: Every year, the super-chilled Screenplay Film Festival comes to Mareel. It’s hosted by UK critic Mark Kermode and film professor Linda Ruth Williams and brings famous faces to town.
Where is the biggest movie theater?
The Kinepolis-Madrid Ciudad de la Imagen megaplex in Spain is the largest movie theater in the world, with 25 screens and a seating capacity of 9,200, including one 996-seat auditorium.
Even if you’re unfamiliar with Streamline Moderne, you can consider yourself well-versed once you step underneath the illuminated, vertical blade-like marquee and into the lobby of this 1941 theater, tucked into the hills east of Berkeley, California. With its sweeping curls, flying gears and circular details, the theater oozes the aerodynamic art deco evolution. That carries over into the auditorium, too, with industrial-meets-mythological murals that depict the four elements, all under a ceiling of painted flourishes and electric-blue and magenta cove lighting. Michael JulianoIf you’re not a boomer or a Gen X-er, you may not have experienced the strange buzz of queuing to see a blockbuster on the big screen. That unique mix of excitement, expectation and XL popcorn. That long-lost sensation is the spirit this Barcelona staple taps into it with screenings of classic blockbusters that bring together dedicated fans and first-timers alike. Every little detail is designed to prep you for the ride to come, from the glowing marquee listing the movies showing to the sign reading ‘reality ends here’ at the entrance to the red carpet and velvet curtain. Not to mention one of the largest screens in Spain, bone-shaking sound, and 35mm and 70 mm projection. Borja Duñó This stalwart indie cinema has lived many lives, screening everything from classic black and white movies to X-rated films. Today, the Plaza Theatre exists as a non-profit, welcoming audiences into its main theater (complete with its original sconces and velvet curtains) or a second screen that was created by converting the auditorium’s balcony. Pay for your admission at the vintage ticket booth, admire the collage of old posters lining the walls and don’t forget to stop by the concession stand for a Cheerwine (a regional cherry-flavored soda) before you take your seat. Zach Long If Willy Wonka got into the cinema business, he might open one just like Dei Piccoli. The world’s smallest cinema according to the Guinness Book of Records, this lime green, tree-shrouded picture box in Villa Borghese gardens is one of the cutest on the planet too. It has 63 seats, one screen and covers a mere 71 square metres (to put into perspective: the screen alone at Paris’s Grand Rex is 300 square metres). It’s been a firm favourite with Rome’s children since it opened in 1934 (‘piccoli’ means ‘little ones’), and for a time went by the name ‘Casa di Topolino’ or Mickey Mouse House. Even Disney’s lawyers haven’t entirely squashed that affectionate nickname for a cinema that still screens animations to wide-eyed children and hands out junior diplomas to first-time visitors. Phil de SemlyenThe pint-sized Sun Theatre was one of the reasons Yarraville was named the fifth coolest neighbourhood in the world in 2020. It opened as a single-screen, 1,050-seat cinema in 1938 and after a storied history of closures (it was once closed by the health department for unsanitary carpets), changing hands and expansions, the beautiful Deco building was refurbished in the late ’90s and now holds eight separate cinemas, each named after a now-closed cinema from Melbourne’s history. There’s a welcome breadth of art house and foreign films on the program, and the house-made choc tops (a favourite Aussie cinema snack of chocolate-dipped ice cream) are second to none. Rebecca Russo
Put it on the poster: Its catwalk-like courtyard was the site of the first ever Hollywood premiere, a 1922 screening of Robin Hood starring Douglas Fairbanks.
Fancy watching a movie in a whopping great palace? Head for Vienna’s Stadtkino, nestled inside the Künstlerhaus, one of the city’s main cultural edifices since Franz Joseph had it built in 1868. The exterior and foyer bits are very 21st century, with a lightbox-style marquee and recent architectural refit bringing clean lines and slick Wallpaper*-style gleam. There’s a DJ booth your dad will hate – though he’ll probably be into the gastro vibes provided by local restaurateurs Ludwig & Adele’s canteen. It’s all been designed to heighten the sense of expectation and make the wait for the film to start part of the experience. And the screen itself? It’s kino-tastic. Phil de SemlyenLocated on the fifth floor of the brutalist Golden Mile Tower, this isn’t just the place to go in Singapore to get comfy on a bean bag while watching a cult classic – it’s the only place. The Projector opened in 2014 but the venue itself boasts a rich film history: it used to house the old Golden Theatre, once the biggest cinema in Singapore and Malaysia. Its colourful past also includes screenings of North Korean propaganda films, porn movies, and Bollywood spectaculars. While it still retains the charm of its predecessor, it has added more modern furnishings, cool artefacts, and specially curated programmes including indie titles and arthouse flicks to the mix. Cam KhalidMany of Portugal’s old cinemas have been turned into apartments, shopping malls and hotels over the past five decades. One biggie that endures is this legendary venue on Lisbon’s grande Avenida da Liberdade. It’s an Anglophone legacy of the Rank Organisation’s cinema empire of the ‘40s, when the British film company used to give its films – James Bond, included – their Portuguese runs here. Nowadays, it’s owned by Lisbon City Council and hosts film festivals and film-loving Lisboetas stopping by for a coffee and a chat on its terrace and a movie in one of its three screens. The biggest, an 845-seater, occupies the balcony of what was once a colossal single screen. Downstairs there are two bijou ones on what used to be the orchestra level. A mix of modernism and Art Deco, old and new, it’s a landmark with style and soul. Phil de Semlyen
East London is uniquely well-stocked with the kind of cinemas you’d cross a city to visit, from Dalston’s beautiful Rio to Rich Mix and Close-Up in Shoreditch, to Homerton’s lovingly restored The Castle. Genesis, perched on the busy Mile End Road, is another jewel in the crown: a cosy yet well-kitted-out movie sanctuary where, thanks to luxury refit with fancy lighting and sink-in sofas, the only thing that’s cheap are the ticket prices (they’re £5 between Sunday and Wednesday). Locals – including film luminaries like Danny Boyle – swear by it. ‘If you build it, they will come’, runs the fluorescent Field of Dreams quote along a corridor wall. They did, and they do. Phil de Semlyen
Put it on the poster: In 1930 the cinema was ransacked during the premiere of Buñuel’s L’Age d’Or. Religious activists threw ink at the screen and destroyed works by Dalí and other Surrealist artists in the foyer.
Put it on the poster: Yes, it is mistaken for a porn theatre but it’s actually named after the Italian diplomat, Princess Labia, who opened it in 1949. Stop sniggering at the back.
Our newsletter hand-delivers the best bits to your inbox. Sign up to unlock our digital magazines and also receive the latest news, events, offers and partner promotions.Put it on the poster: Sure, it’s the cinema that gave the world Star Wars, but we’d say it boasts one other more meaningful first among cinemas: air conditioning.
What is the No 1 movie in the world?
All Time Worldwide Box OfficeRankYearMovie12009Avatar22019Avengers: Endgame32022Avatar: The Way of Water41997Titanic
Put it on the poster: Over three post-war decades, Rio went from specialising in classic cartoons to art house cinema, to ‘adult’ films, to kung fu, Bollywood and Elvis films. These days you catch the latest indie and arthouse gems, and the odd blockbuster too.Put it on the poster: Kubrick may have pulled A Clockwork Orange from UK cinemas but it played at Cineteca for 153 straight days – and more than 150,000 people attended. If movie lovers can conjure up an image of this 1927 icon, easily the world’s most famous cinema, it’s likely one of red carpets, concrete hand prints and that palatial pagoda entrance. For Angelenos, on the other hand, it’s swarms of tourists, costumed characters and street closures. But forget about the (in)famous forecourt: The Chinese Theatre’s most dazzling asset is its auditorium. The radiant red seats and curtain and imposing golden columns turn any screening into a sumptuous affair. You’re not just here to see a movie (and a sharp one at that, thanks to a particularly superb IMAX laser projector), you’re here to spend an evening soaking in cinematic history under the painted wooden starburst on the ceiling. Michael Juliano There’s no scientific way to prove it, but this Baroque one-screener nestled among the antiques shops and boutiques of Portobello Road may just be the comfiest cinema on the planet. The seats are heavenly – you’d pay just to sit in them – and for the terminally decadent (or sleep-deprived parents at a baby-friendly screening), there are even beds at the back. It’s next door to private members club Electric House, and some of those luxe vibes definitely rub off. Unusually, the concession is inside the main screen, which gives queuing for drinks and snacks the lovely sense of being in a kind of west London bazaar. Phil de SemlyenPut it on the poster: One of the two smaller screens attached to the side of the Orinda houses murals salvaged from the former Garden Theatre in San Jose.
How to support the Rio: Become a member, make a donation or even name one of the seats. They’ll put a little gold plaque on it for you (we told you it was chic).
This historic cinema dates back to 1923, making it one of Madrid’s most enduring salons (it even survived a direct hit by shell during the Civil War). That beloved art deco facade has put an elegant face on some troubled times: it even closed in 1963 for twenty years, eventually revived by Madrid council and then given a modernist refresh in 1989. It’s longevity was ensured when it was made home to the Spanish Film Library. The provenance of Doré’s name remains mysterious, though its nickname, ‘El Palacio de las Pipas’ (‘the palace of the seeds’), stemmed from its audiences’ habit of munching sunflower seeds in bygone days. Those old-timey vibes endure in the main salon with its ornate dress circle and velvet seats. And the programme? It’s a cinephile’s paradise, taking in everything from Hitchcock to Jarmusch. Marta Bac
This august ex-hotel slap-bang in the middle of Copenhagen has been screening movies for more than a century – with brief interludes forced on it by the Nazis and, more recently, Covid. Its six screens are fully digitised, but you can still feel the history in its bones. In normal times, the bar buzzes with hip young Danes waiting for a screening of Parasite or Portrait of a Lady on Fire. Grand Teatret also prides itself on championing Scandivanian filmmakers like Thomas Vinterberg, Nicolas Winding Refn and Lukas Moodysson in their early days. It has its own distribution arm, Camera Film, giving Grand Teatret regulars first dibs on the latest art house gems. Phil de Semlyen
Put it on the poster: The cinema used to have a ‘pram room’ where babies in prams were left under supervision and given a number. If your baby started crying, its number was flashed on the screen.
Which country has highest Theatres?
According to the most recent statistics, China currently has 65,500 cinema screens.
Put it on the poster: The custom rooftop sign above the Grand Lake Theatre is one of the largest of its kind, made up of 2,800 bulbs that are typically lit up on Friday and Saturday evenings.You had us at ‘meringue-shaped’: that’s how this extravagant 1970s cinema in the northern India city of Rajasthan has regularly been described. Which is surely reason enough to visit this picture palace if you happen to be passing through Rajasthan. It offers chandeliers, a groovy wavy ceiling, a sweeping staircase and an enormous screening room. The Raj Mandir remains a single-screen cinema, with over 1,100 seats in its cavernous auditorium. Alongside movie-loving locals, it attracts tourists keen to gawp at its way-over-the-top interiors as well as experience a Bollywood movie while visiting this historic city. Come for the decor, stay for the songs! Dave Calhoun
Ask anyone about movie theaters in San Francisco and they’re bound to bring up the Castro, a fixture of the city’s most prominent LGBTQ+ neighborhood. Built to resemble a Mexican cathedral, the Castro houses a single 1,400-seat theatre, with a screen flanked by gaudy gold embellishments and a metallic chandelier hanging from the domed ceiling. LGBTQ+ films began screening at the theater in the ’70s and are still a prominent part of programming to this day, with screening series and festivals dedicated to queer directors. Zach Long Put it on the poster: The Castro’s facade was restored to accommodate the filming of Gus Van Sant’s 2008 biopic Milk. The cinema also hosted the film’s world premiere. Much more than just a cinema and concert hall, Le Grand Rex is one of the capital’s most cherished cultural institutions. The Grands Boulevards area didn’t need much tszujing up, but Auguste Bluysen’s building is magnificent even by the standards of this vast web of opulent avenues. With its huge Art Deco façade and constantly flashing screens, the building adds a brilliantly gaudy splash of New York to this rather uniform, limestone-hued part of town. There are seven screens, the biggest of which can hold a whopping 2,400 spectators. This is where you’ll catch the city’s ritziest premieres: everything from Hitchcock’s The Birds to Star Wars had their first French screening here. Houssine Bouchama
The building that houses Brookline’s Coolidge Corner Theatre was originally built as a church, before transitioning to a destination for cinema devotees in 1933. Now operating as a non-profit, the the cinema’s neon-lined, Art Deco-inspired marquee ushers visitors into one of its four screening rooms, the largest of which is the 432-seat Moviehouse I. Here, you’ll see red curtains part to unveil a flickering screen as you sink into your plush red chair in an auditorium that boasts dark wood paneling, golden accents and a ceiling mural – it’s a place that feels like a gilded altar for film buffs. Zach Long This modernist cinema, which sits on Karl-Marx-Allee near Alexanderplatz in the old East Berlin, is a mecca for anyone looking for a strong dose of Ostalgie. It opened in 1963 and for almost three decades was the main venue for film premieres in former East Germany. Its history and sleek mid-century style still make it a special, transporting place to watch films. It has just one grand, wood-lined auditorium (with a funky wavy ceiling) that can hold about 600. Even better, to enter the screen, you have to pass through a grand lounge bar with big windows opening out onto a whole boulevard of old Communist architecture below. Sehr cool. Dave Calhoun Over the past century, this Central LA venue has done stints as a candy store, a vaudeville stage, a nightclub and a porno theater before landing on its current iteration as a single-screen revival house with a love of 35mm and a penchant for grindhouse fare. What it lacks in architectural flourish it makes up for in affordability and curation. Oh yeah, and it’s owned and programmed by a certain Quentin Tarantino. Already a long-time benefactor, the filmmaker stepped in and saved it from redevelopment in 2007. He’s been screening rare prints of classics and dusted-off B-movies ever since, often pulling them from his personal collection, alongside some first-run picks. It’s the coolest vanity project in cinema. Michael Juliano
The screening rooms at the Rio are curvy. The seats swing around in an arch, the walls are painted in swirls of colour. And that’s not even the prettiest feature of this extremely pretty east London indie cinema. That would be its tall facade: an Art Deco gem of straight lines, pastel colours and what looks like Papyrus font. That’s thanks to the work of cult architect FE Bromige. He gave the cinema – which had been open back in 1909 – a makeover in the 1930s. And, down to the exterior of the Mad Man-esque bar, his look stuck. Even with its modern restorations, you experience it almost exactly as he designed it. Seeing it from across Kingsland High Street – surrounded by hip clubs, a trendy pizza joint and a KFC – is like being haunted by an extremely chic and large ghost. Kate Lloyd
How to support Alamo Drafthouse Ritz: Snag merch for film buffs from Mondo’s Alamo Gift Shop or stream a curated selection of films through Alamo On Demand. The Kalispell project, like many Signature multiplexes, was designed by the San Francisco architectural firm Uesugi & Associates. The firm has designed or remodeled more than 80 cinemas in the western United States, Hawaii, and Asia. The firm was founded by Daniel T. Uesugi in 1978. His daughter, Erin K. Uesugi, joined the firm in 1994. Opened by the Signature Theatres chain in 2007, it had two of its screens equipped with digital and 3D projection. Now all screens are equipped with digital projection, and it was taken over by Cinemark in 2013.”We’ve been here a few times. I was a little taken aback by it the first time we went since it was cash-only, not something I was used to in a movie theater… No big deal though. Four screens, its got all the concessions and then also special flavorings for your popcorn, which is pretty rad if you ask me! Not much else you can really say about a movie theater, the screens work…?”
“What a FUN show! Well worth the $10. My husband is still talking about the “reality ” of it…and admitting he closed his eyes a few times! We will…” more
The company was incorporated in London, England, on 22 June 2016, as part of a $1.2 billion takeover of Odeon Cinemas and United Cinemas International by AMC Theatres. The deal left Odeon Cinemas as a wholly owned subsidiary of Odeon Cinemas Group. AMC claimed after the acquisition that it was the “largest movie exhibition company in the world”.David Anderson was appointed as chief commercial officer on 27 October 2017, replacing Ian Shepherd. When he was appointed, the group managing director was Mark Way and the chief operating officer was Jan Bernhardsson. The company received the 2018 CIPD People Management Awards for “Best international HR initiative”. Having won in the “Talent Management” category in 2017.Odeon Cinemas Group is Europe’s largest cinema operator. Through subsidiaries it has over 360 cinemas, with 2900 screens in 14 countries in Europe, 120 cinemas with 960 screens are in the UK. It receives more than 2.2 million guests per week.
Odeon Cinemas Group is a wholly owned subsidiary of AMC Theatres. The company has three main subsidiaries, Nordic Cinema Group, United Cinemas International, and Odeon Cinemas. Nordic Cinema Group in turn owns Finnkino and its subsidiary Forum Cinemas.
This page displays a list of movie theaters near Kalispell, Montana. You can view showtimes for movies playing near Kalispell, Montana by selecting a theater in the list above. To change the distance range covered in this list, select a new range below.
Who is the best cinema in the world?
The world’s most beautiful movie theatresStella Cinema, Dublin.TCL Chinese Theatre, Los Angeles. … Castro Theatre, San Francisco. … Cineteca Nacional de Mexico, Mexico City. … New Beverly Cinema, Los Angeles. … The Park Theatre, Manitoba. … Stadtkino, Vienna. …
Interesting. I guess the church could still rent it out to others for live events, but not sure how that would work with their tax exempt/non for profit status.
Last operated by the Signature Theatres chain who closed it in 2007. The Liberty Theatre was purchased by the Fresh Life Church (the which also owns the Strand Theatre), and is now being used as a ‘siamese sancutury’ – audio and hi-def video is fed from the Strand Theatre to the Liberty Theatre (except for when the pastor choses to preach from the Liberty Theatre, in which case it will happen in reverse).
The Liberty Theatre was opened January 24, 1921 with Alma Rubens in “Humoresque” & Harold Lloyd in “Captain Kid’s Kids”. It was equipped with an organ which was opened by organist Albert Plomteaux who was based in Seattle. The location of the Liberty Theatre was given as N. Main Street.A PDF of a walking tour of Kalispell from the Montana Historical Society has information about the Liberty Theatre. The Liberty was designed by local architect Marion Riffo, and opened on January 24, 1921. The first movie shown was “Humoresque.” The house had an organ, but the text doesn’t say what kind. The original owner of the Liberty was Marius Anderson. Anderson Theatres eventually operated other houses in Kalispell as well: the Strand Theatre, the Gateway Cinemas, and the Midway Drive-In. The family-owned company was sold in 2000. The Liberty is still a Signature Theatre, not part of the sale to Regal. It will close when Signature opens its new 14 screen complex at Hutton Ranch. There is a strong possibility that the Liberty will be used for live theater in the future.Doing so might quell some of the negativity posted in the comments on the Flathead Beacon site. If resistant community members felt it was open to other cultural events. Fri Jun 3011:00am 3:25 6:55 10:25 Sat Jul 111:00am 3:25 6:55 10:25 Sun Jul 211:00am 3:25 6:55 10:25 Mon Jul 311:00am 3:25 6:55 10:25 Tue Jul 411:00am 3:25 6:55 10:25 Wed Jul 511:00am 3:25 6:55 10:25 Fri Jun 3012:15 3:35 6:50 10:05 Sat Jul 112:15 3:35 6:50 10:05 Sun Jul 212:15 3:35 6:50 10:05 Mon Jul 312:15 3:35 6:50 10:05 Tue Jul 412:15 3:35 6:50 10:05 Wed Jul 512:15 3:35 6:50 10:05
